Enga Ooru Kavakkaran (transl. Bodyguard of our town) is a 1988 Indian Tamil language film, directed by T. P. Gajendran and produced by Kalyani Murugan. The film stars Ramarajan, Gautami, M. N.... Nambiar and T. P. Gajendran. It was released on 27 August 1988, and became a success, with a 100-day theatrical run.
Senthil is an Indian comedy actor who works in Tamil cinema. He is famous for his comedian roles along with fellow actor Goundamani. The pair dominated the Tamil industry as comedians in the 1980s and 90s.
Kovai Sarala is an Indian actress and comedian, who plays supporting roles in Tamil, Telugu, Malayalam and Kannada films. She has won the Tamil Nadu State Film Award for Best Comedian three times, for her performances in Sathi Leelavathi , Poovellam Un Vasam and Uliyin Osai. She has also won two Nandi Awards for Best Female Comedian and the Vijay Award for Best Comedian for her performance in Kanchana .
S. S. Chandran was an Indian comedian, actor, film producer and politician from Tamil Nadu. He belonged to the All India Anna Dravida Munnetra Kazhagam party and was a member of the parliament representing Tamil Nadu in the Rajya Sabha, the upper house of the Indian Parliament.
Gandhimathi was an Indian stage and film actress. She acted in over 500 films.
Comedy is a genre that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: In Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which engender dramatic irony, which provokes laughter.
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